Fuzzy Pathetic Loving Ass :: essays research papers fc

Fuzzy Pathetic Loving AssA midsummer Nights Dream, by William Shakespeare, is a classic cinch that has been retold in many ways. The most recent version of this romantic comedy was through with(p) by Michael Hoffman in 1999. This portrayal follows very closely to the original chance. in truth fewer lines are taken out, and the characters stay very true to the fancied original idea. The one main difference in the original play and this movie is the depiction of the character Nick rump the weaver. The original play shows Bottom as the overconfident weaverhilariously overthas grand belief in his own abilitytotally unaware of his fatuousness (Spark nones.com). These types of characteristics would normally make readers appear Bottom as a cocky, egotistical, gist of attention, ass. In the play, this is the case. However, in the 1999 movie version, with Kevin Kline as Bottom, the audience gets a different idea of Bottom without changing his basic character traits. Hoffman achie ved changing the overall perception of the character of Bottom from to a warm dazed man, a dreamer for whom we can root, and pathetic lover, while free keeping the ass quality, by only changing a few small, very subtle things (Jones, 127).In what would be Act I scope II of the original play, Bottom is shown sitting alone at a caf. As he is making his way to leave, a rough feeling woman walking around in a very locomote and determined manner become the focus of the screen. The audience soon realizes this is Bottoms wife. Bottom seems to become frightened of her on sight, so he hides behind a wall. You also learn that his wife thinks his dreams of being an actor are barely unrealistic and stupid. The original Shakespearian play does not include a wife for Nick Bottom. The adding of a wife to a movie is not normally of great importance however, the type of wife she is makes all the difference. later on in the convulsion, when Bottom goes home, the audience sees more of what typ e of a wife this is. As Bottom enters his house he is shown looking around to see where she might be he is very quite and slips into a path quickly. Almost instantly, his wife realizes he is home, and she rushes into the room with a very ugly, shite expression on her face. There is no speaking in this scene (Hoffman).